Getting around Taj | Fatehpur Sikri
37 kms from Agra is built a city predominantly in Red Sandstone and is called Fatehpur Sikri. This town was built by the Mughal Emperor, Akbar. He had planned this city as his capital but shortage of water compelled him to abandon the city. After this within 20 years, the capital of Mughals was shifted to Lahore. Fatehpur Sikri was built during 1571 and 1585. Today this ghost city has a population of about 30,000. This deserted city has retained many of the old structures, because of the efforts of the Archaeological department .Fatehpur Sikri is one of the finest examples of Mughal architectural splendour at its height. Though the city is in ruins, it is a place to visit if one comes to Agra.But in real terms Fatehpur Sikri is a place where one should spend some time. The sunset over the ruins is sight to cherish.Fatehpur Sikri is the best example of the culmination of Hindu and Muslim architecture. Fatehpur Sikri Mosque is said to be a copy of the mosque in Mecca and has designs, derived from the Persian & Hindu architecture.
The journey to the royal palace begins with Diwan-I-Am or the Hall Of Public Audience. This hall was also used for celebrations and public prayers. It has cloisters on three sides of a rectangular courtyard. To the west is a pavilion with the Emperor’s throne. Beautiful jali screen on either sides separated the ladies attending the court.
To the right is an apparently looking two storeyed building, with corner kiosks, known as diwan-khana-I-khaas or Hall Of Private Audience. On entering it, one finds only a single vaulted chamber. In the centre stands a profusely carved column supporting a collosal-bracketed capital. Four narrow causeways project from the centre and run to each corner of the chamber. It is believed that Akbar’s throne occupied the circular space over the capital and the corners were assigned to the four ministers.
Turkish Sultana’s House
To the left of the Pachisi Board is the Turkish Sultana’s house. The house, as its location at the corner of Anup Talao shows, was a pavilion for repose, attached to the pool. The geometrical pattern on the ceiling is reminiscent of Central Asian carvings in wood.
To the left of the Diwan-I-Khaas is the Treasury or Ankh Michauli, once believed to have been used for playing the game, comprising three rooms each protected by a narrow corridor which were manned by guards.